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Their household videos seize a golden age of exhibit company-with remarkable footage of Broadway, Harlem and Hollywood-and also document the center-class African-American everyday living of that period, photographs built uncommon by the significant
charge of residence-film products during the Great Depression. The great horror maestro Wes Craven, as both writer and director, gave a era of teens (of
all ages) terminal sleeplessness with this imaginative
and rigorous slasher scarefest. When Frank Stauffacher released the Art in Cinema film series at the San Francisco Museum of Art in 1947, he was
on his way to getting a substantial affect on a era of West
Coast filmmakers. Impressionistic and evocative, the film is formed by the director's corporation of
legendary imagery, this sort of as seascapes and town scenes, and by
the juxtaposition of these visuals and the soundtrack that includes
Vincent Price narrating excerpts from Robert Louis Stevenson's 1882 essay
on San Francisco. A deranged preacher (Robert Mitchum) terrorizes
two little ones in possession of stolen loot and finally coming up towards a saintly protector of runaway and
abandoned kids (Lillian Gish).
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